Hallwalls

Hallwalls

Hallwalls

Hallwalls

Hallwalls

 



Solo exhibition: Hallwalls Contemporary Arts Centre


January 13 to February 24

Opening reception on January 13, 8 - 11pm

Artists' Talk January 13, 8pm











 



Hallwalls

 



Exhibition: Centre for Art Tapes

Broadcasting for Reels: Sounds (Extra)Ordinary


January 1 to February 2

Opening reception on February 1, 7-9pm

Alderney Landing, 2 Ochterloney Street, Dartmouth NS, B2Y 3Z3

The Centre for Art Tapes is pleased to present Broadcasting for Reels: Sounds (Extra)Ordinary, an audio art presentation on CKDU 88.1 FM, CJSF (Burnaby), CFBX (Kamloops), CIVL (Abbotsford), CKXU (Lethbridge) and CFUV (Victoria) – broadcasting date February 1st 2012.

Broadcasting For Reels is an audio art exhibition presented annually by the Centre for Art Tapes since 1993. Exhibition curator and host Chris Myhr chose this year’s theme of Sounds (Extra)Ordinary. The international roster of selected artists includes John Abram, Marla Hlady, Francisco Lopez, Rachel Woolmore-Goodwin and John Wynne; as well as collaborative works from Matt Rogalsky and Laura Cameron, and the Audio Lodge collective.

The Centre for Art has partnered with Alderney Landing to install the work in an elevator as a transitory architectural space. The installation will act as a public intervention and be an open place for audience attendees. The opening reception for both the audio installation and radio broadcast will be on February 1st 2012. The opening reception will take place at Alderney Landing from 7-9Pm on February 1st. All are welcome to attend!

 



Set to Set

Set to Set

Set to Set

Set to Set

Set to Set
Photos by Annie Onyi Cheung and Christof Migone

 



Solo exhibition: Oakville Galleries


September 24 to November 6

Opening reception on September 25











 



Set to Set

 



New Adventures in Sound Art: Sound Travels Intensive


Aug 16 to 20, 2011

Guest artist presentation by Marla Hlady - Friday, August 19 at 1pm

The Sound Travels Intensive is an opportunity for artists, composers and musicians from across Canada and around the world to create and present new work in Toronto, exchange ideas with others, and hone their skills in diverse aspects of sound and electroacoustic practice. Five intense days of workshop sessions, private instruction and creative activity culminate in a public concert presentation at Toronto's Artscape Wychwood Barns. This year's Intensive features masterclasses by renowned acousmatic composer Jonty Harrison, alongside core workshops in audio production (Darren Copeland), DIY electronics (Rob Cruickshank) and interactive audio & MaxMSP (David Ogborn) with guest lectures by Marla Hlady and Jessica Thompson.
Participants must apply by Friday July 15 at 12 noon Toronto time to be eligible for a limited number of scholarship and billeting possibilities.


NAISA Space
Artscape Wychwood Barns
601 Christie #252, Toronto
Click here to register


 



Set to Set

Set to Set
Photo by Tom Bilenkey

Set to Set
Marlee Choo, Patrick Macaulay, and Marla Hlady

 

STOP. LOOK. LISTEN.

Visual Arts at Harbourfront Centre


Curated by Patrick Macaulay

Four artists present works which ask the viewer to actively witness the exhibition by intently stopping, watching and listening.

April 16 - June 12


Gallery hours: Tue to Sun - noon to 6pm

http://www.harbourfrontcentre.com/visualarts/





 



Set to Set

 

Set to Set

Solo exhibition: Jessica Bradley Art + Projects


February 26 – March 26

Opening February 26 - 3 to 6pm

Gallery hours: Wed to Sat - noon to 5pm or by appointment

http://www.jessicabradleyartprojects.com/

 




Album cover photo by Rene Lear

 

Soundball #4 (2004)

Soundball #4 is featured on the album cover of the newly released “Warm Weather With Ryan Driver”, Eric Chenaux’s newest album with Constellation Records.

Warm Weather With Ryan Driver is Eric’s third album for Constellation, which has been the conduit for his primary song-oriented solo work since 2006. Building on his fruitful collaboration with piano/synth/melodica player Ryan Driver – whose key role on the new album is signaled by his inclusion in its very title – the new record is without doubt Chenaux’s most accomplished and focused work of forward-looking, contemporary balladry.” -- Constellation Records

Check it out at
http://cstrecords.com

 



Nite Ride DVD

 

A Case for Sound: Nite Ride (2009)

Artengine recently launched a DVD publication for the Nite Ride project. This includes 5.1 surround and stereo versions of the works; printed maps of the driving routes; texts by project co-curator Emily Falvey and Artengine’s Artistic Director Ryan Stec.

Please
contact Artengine if you wish to purchase the publication.

http://www.artengine.ca/

 



Electric Eclectic

 

Hum (2003)

30 July to 1 August

Part of Electric Eclectic 5

"Hum" was recently installed in a grain silo for the Electric Eclectic Festival in Meaford, Ontario. This time there were eight fans with a corresponding eight sound sources. See Hum in the sculpture section to hear an audio clip.

http://www.electric-eclectics.com


 





 

Unlevel 2 (2009)

12 to 24 December

Part of Art Metropole's
GIFTS BY ARTISTS 2009

An edition of 8 levels made out of 2” painted wood balls with various numbers of bullseye levels. One of eight has one level, two of eight has two levels, etc. A bullseye level checks for level in all horizontal axes at once.

http://www.artmetropole.com/


 




Photo by Annie Onyi Cheung

 

A Case for Sound (2009)

23 to 31 October

Part of
NITE RIDE

The recording of “A Case for Sound” just recently took place in my studio. A big thanks goes to composer and recording genius John Abram for managing the process. And then there are the performers: Christof, Allison, Martin, Steven, Amber, Malcolm, Leslie, Monica.

Visit Artengine’s site for a thorough overview of the project http://artengine.ca/

 




 

Panel Discussion (2009-11)

21 November

Part of
ARTIST AS ENGINEER

The Robert McLaughlin Gallery presents the exhibition: Samuel Roy-Bois: Polarizer from 21 November- 10 January 2010.

To launch this exhibition the Robert McLaughlin Gallery hosted a symposium entitled Artist as Engineer. The symposium explored the role of the artist as an experiential engineer. The part which he or she plays in shaping the nature of contemporary art and exhibition experience is investigated by how the audience both engages and relates to the engineered environment.

The event was moderated by Susan G. Cole, Senior Entertainment Editor for NOW Magazine. Guest speakers: Erin L. Webster, University of Toronto Scarborough. Artists Marla Hlady and Samuel Roy-Bois.

Symposium was held on Saturday, 21 November at 1 P.M. at The Robert McLaughlin Gallery.

 




 

Playing Piano (2007-08)

16 September to 24 October

Part of
CAFKA'S VERACITY

Installed at the Robert Langen Gallery, Wilfred Laurier University (Waterloo, Ontario)









 




Photo by Terence Cooke

 

Sound Objects (2003-07)

and

The Only One My Arms Will Ever Hold (Blue Moon) (2003)
In collaboration with John Abram

3 July to 15 August

Part of
ELECTRIC ECLECTICS 4TH EDITION

Electric Eclectics is a festival of experimental music and sound art, operating in Meaford, Ontario, Canada since 2006.

Sound Objects was on display at the Meaford Museum and Blue Moon was installed at the Funny Farm (site of Electric Eclectic) in a tractor trailor.

 




 

Playing Piano (2007-08)

29 May - 5 July

Part of
RESOUNDING

RESOUNDING presented works by five artists that explore unexpected ways of generating sound, either through the manipulation of musical instruments – both real and toy versions – or through the construction of musical objects. Through these works the artists examine ideas about intended and unintended ‘music’, harmony and disharmony and what happens when human control is partially relinquished in the pursuit of specific musical outcomes.

RESOUNDING was curated by Dalhousie Art Gallery’s Sym Corrigan and Peter Dykhuis as part of Sound Bytes 2009: Halifax Art and Audio, a citywide festival taking place at local galleries and performance venues throughout May and June.





 






 

Curtain Machine (2007-08)

26 July to 27 July

Site work in Görlitzerstrasse 49, Berlin (Germany)

“Curtain Machine” consisted of three mechanical curtains controlled by a machine operator, Canadian dancer/choreographer
Shannon Cooney. Located out of sight, in front of Shannon, were three speed/direction dials, one for each curtain. Using a set of performance instructions, audio and visual cues were used to determine when, how fast and how much to move each curtain layer. At night with the scrim-like fabric lit from inside, the space was visible through the fabric but visual access to the outside was severely limited; the aural cues were therefore critical. As machines were activated however, external environmental sounds were drowned out by machine sounds. As well, because of the surrounding architecture, many of the sounds bounced wildly creating confusion as to their origin. What resulted was a kind of conundrum - a score that seemed simple enough to perform – stand still, listen and respond with a turn of a dial – became an arduous performance.